In Namibia, Waistbeads Are More Than Ornaments

BY CLEMENCE TASHAYAMusicians_and_dancers_on_fresco_at_Tomb_of_Nebamun

EENHANA, Namibia — Waistbeads date back to ancient Egypt, where painting of dancers wearing the beads appear on tombs walls, according to a former educationist, historian and now a pensioner here in Ohangwena region.

The tradition has since spread through several continents and centuries to include women in various cultures, including Namibia. According to Meme Paulina Omaholo, this cultural practice is also in the United States of America. Waistbeads have a number of different purposes and perhaps even more different styles. She says waistbeads can be very simple or incredibly elaborate. Beads can be of any size and material, including glass stone, clay and sandalwood or other material. Some African women add fragrant oil to their beads, Omaholo notes, while mostly the Namibian Oshiwambo women add gems and crystal to add healing properties.

Most Oshiwambo cultures wear at least two or more strands of waist beads, although an even number of strands brings bad luck in some other cultures in Namibian regions such as the Damara/Nama, Silozi and Tswana tribes. African women have traditionally worn waistbeads beneath their clothing, yet other cultures proudly display the beads over their clothes or on bare midriffs.

Waistbeads can serve as a symbol of femininity. The beads were an integral part of all African women initiation lodges and ceremonies in the old dynasties, according to the Oshiwambo tradition and culture. Young females began to wearbeads when they started to menstruate, marking their passage from girlhood to womanhood. “The beads may have also served as a kind of belt onto which the ‘monthly cloth’ was attached,” Omaholo adds.

In other areas, waistbeads are gifts to young women about to marry, according to Omaholo. “Women of other regions in Africa wear the beads while pregnant or use the beads in foreplay to entice their husbands as in the Zambezi region here in Namibia and as well as in Malawi, Zambia and other parts of Angola and Zimbabwe. Others start to wear the beads as young girls after receiving a set as a baby gift.

African folklore gives waist beads special powers, Lungowe Simataa from the Zambezi region says. The beads, worn to define the waist, help hold their shape. They also serve to help women hold onto their mate. Protection is another function of the beads, as they encircle the body and close off the circuits of energy. “Wearers are thus protected from obsessive thoughts, negative spirits and even vampires,” Simataa adds.

Ornamentation is a major role for waistbeads. In the Zambezi region and other cultures in West Africa, the beads served to transform women into “walking charms,” she says. “Since beads were considered money all over Africa, waistbeads were both ornamentation as well as dowry in matriarchal societies. A husband-to-be would give his bride to be a set of waistbeads accompanied by beads for her neck, arms, wrists and ankles.

Throughout parts of the world, Simataa notes, waist beads were worn for aesthetics, largely considered an item of beauty.

Waistbeads have a long history in Africa and they have also filtered into other cultures. Belly dancers in Far Eastern cultures have embraced the beads as have women of Islamic cultures. They prominently display the beads during their dances, while some wear them beneath their clothes.

Reprinted from:

Adinkra Waistbeads

Dwennimmen Waistbeads; Strength through humility

In my exploration of my history and culture, one of the more fascinating aspects for me has been the re-discovery of adinkra symbolism.  The adinkra is a symbol representing a concept, phrase or proverb, elegantly packaged in a single hieroglyph. It is a wonderful supplement to our history of oral story-telling; illustrators and giots working together to teach life’s lessons.

Originally, adinkras were used during rituals, on cloth in respect for the dead and mourning, for example, or to honor royalty.  But eventually adinkras became a ubiquitous part of the culture, carved into walls and architecture, fabrics and pottery. The oldest known fabric rendering of an adinkra was found in 1817 and was most certainly created long before that.

Today we see adinkras through-out African-American neighborhoods, on T-shirts, body art,  jewelry.  Some of us have seen the symbols without really understanding what they mean or the genius minds behind them. But students of the culture are often quite taken by the symbols as they carry special meaning to the children of the African Diaspora.

For instance, the sankofa symbol, which can be either a stylized heart or a bird looking over its shoulder, means “return and get it,”  emphasizing the importance of learning from the past.

Sankofa Waistbeads; Learn from the past

The “gye nyame” is  another popular and visually arresting symbol. According to,  the gye nyame represents the supremacy of God; God is all.

Gye Nyame Waistbeads, God is all

My personal favorite is  “Duafe,”  the wooden comb, representing beauty and femininity. The comb resembles an afro pick from the Sixties.

Duafe Waistbeads; Beauty and femininity

As always, these symbols can be found on WRAP AND SOUL waistbeads, adding special significance to these adornments. Walk in beauty and power!